/// SCRUB LAB · SPECIMEN 03

FOUR PLANES,FOUR SPEEDS.

the eye reads the difference before it reads the words.

No video, no sequence, no canvas. A backdrop, a ground, the send, and a ledge in front of it, each moving at its own fraction of the page. Scroll past the scene below and watch the ledge overtake the send.

back 31%mid 17%product 20%front + copy 1×
A Zatreides send standing in the studio

DEPTH

is the cheapest premium.

SCENE /// CUT-OUT PLANESB-000 M-000 P-000
MECHANISM /// FOUR PLANES · RATES 31 / 17 / 20 / 100 · LEDGE DIPS UNDER THE SEND000%

/// THE THREE TRAPS

CUT IT SO ITDIPS WHERETHE WORK IS.

a straight foreground swallows the button in three hundred pixels.

Planes carry max-width none, or a global image rule shrinks them to the viewport on a phone and the scene disappears. They transition opacity only, because a transform transition eases every scroll write and the send lags a full second behind the thumb. And every plane is solid below its silhouette, or the plane behind shows through as they separate.